Usage is fairly straight forward, but performance is highly dependent on your computer. Also provided in the hyper warp window is a throttle slider, so you can precisely control your throttle even when the standard throttle response is sped up. If you like, have it pause when it finishes so you can AFK while it goes and not worry about missing anything. You can either manually control when hyper warp is active, or you can set it to warp for a period of time, which is particularly useful for long burns with ION engines. If you know your ship can hold together in phys-warp, you can reduce the accuracy to attain better speeds and FPS. The second slider sets the minimum accuracy, from 1 to 1/4. The first slider sets the maximum attempted speed - note that it is unlikely that you will be able to attain that speed unless you have a very powerful computer or a very small craft. This has a myriad of uses, like speeding up launches or burns (especially with lower TWR craft), flying planes around the world, running kerbals long distances, etc.
#Ksp timecontrol professional
The sonic quality of the KSP8 is stunning delivering some of the best analog audio specifications in the industry and featuring unique output circuitry (patent-pending.) The power, flexibility, and sound of the unit truly make it a must-have for professional and semi-pro studios, as well as for sound designers in search of exciting new timbres.The hyper warp menu gives you the ability to speed up time without sacrificing physics accuracy like phys-warp does. Tempo-based effects such as flangers, panners, filter sweeps and delays can be synced to an internal or external MIDI clock while internal system tempo can be set with the Tap Tempo button.
#Ksp timecontrol full
Studios contain all the physical connection settings, signal routing (analog and digital I/O selections), analog and digital signal levels, as well as the assigned effect presets, effect chains, effect bus assignments (including all MIDI channel and controller settings) and all multi-band equalizer settings.Įffect presets included with the KSP8 deliver lush reverbs, realistic rooms, flangers, dreamy choruses, delays, ruthless distortions, aliasing and chaos generators, rotary speaker and cabinet simulators, Laserverb effects, enhancers, equalizers, a full complement of dynamics processors including multi-band and side-chain compressors and much more. The studio is a kind of "snapshot" of the total state of the unit at one time.
The highest level of the KSP8 architecture is called the studio. Manipulation and automation are a snap using MIDI or a host of local modulation sources including up to 36 LFOs and 36 envelope generators, with 72 functions available for combining control sources. Users can fully customize effect presets and chains, giving users all the control they want. Effect presets are easily linked together to form effect chains on up to 8 buses. From these algorithms, Kurzweil engineers have crafted exquisite effect presets ranging from spacious and gorgeous, to shocking and in your face rude. On the lowest level is the effect algorithm. Unlike other high-end effects systems whose DSP resources are fixed to a small number of processing engines, the 16 available processing units in the KSP8 may be freely shared among up to 8 effect buses. The architecture has enough flexibility and power to process up to eight channels of audio simultaneously, in mono, stereo and surround combinations. Based on KDFX effects system found in Kurzweil's award-winning K25/2600 synthesizers, the unit extends the arsenal of effect algorithms adding newly developed surround reverbs and many more stereo and mono algorithms. The Kurzweil KSP8 multi-bus signal processor is an eight-channel effects system designed for the professional engineer, producer, or musician who requires high-performance effects, excellent sound quality and unparalleled real-time control.
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